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New Super Mario Bros. - ★★★

I realize this game is going on four years old, but hey, I just finished it recently.

This is a really fun game. If all you want is one sentence to sum it up, here’s the one you probably expected: Nintendo returned to Mario’s 2D roots and made a really fun Mario game in New Super Mario Bros. for DS. So fun that I was compelled to collect every star coin—meaning, I completed the game. This is news; I’ve rarely completed games from top to bottom, start to finish, corner to corner. Only a handful come to mind: Star Fox 64, Super Mario Kart, The Legend of Zelda: Wind Waker, Super Mario World, Star Wars: Rogue Squadron (the first one for Nintendo 64), and now New Super Mario Bros. There may be others I’m missing (though very few, if any), but the point remains that this game was fun enough for me to enjoy investing my time in finding every secret, an uncommon feat for me.

With that said, you’re probably wondering why I gave it only 3/5 stars. Well… what kept it from a higher score was its complete lack of anything noteworthy or memorable. I wasn’t keeping track of any exact times, but I’m fairly certain I beat the final boss under five hours into the game, and that’s including time I spent exploring. The game overall was just much too easy. I don’t think I even died once until the final world. Even completing the game by collecting all the star coins was a relatively painless affair; only three or four involved any actual skill to retrieve. I understand there’s a need to make the game easy to pick up and play (more appealing to children and casual gamers on the go), but many times I found myself disappointed or underwhelmed at the game’s difficulty and wished for something more challenging.

Another aspect I found supremely lacking was the game’s utilization of the DS’s capabilities—which is to say, it didn’t use them at all. For example, when you go down a pipe, Mario drops to the bottom screen, which now becomes the play-action screen. This would be cool if you could use the stylus in these moments to perform some novel act with Mario or interact with the environment. But the game does nothing to leverage this opportunity; and unfortunately, it never does in any other circumstance either.

This is what separates New Super Mario Bros. DS from being a great game: it has the unfortunate talent of substituting charm for cleverness more often than not. Where it could do something fun and novel, it opts instead for fun and familiar. The mega and mini mushrooms are cool power-ups in their own right (the mini being the more interesting one), but these are just new power-ups—they’re not new ways of playing Mario. The raccoon hat brought flight to Mario in Super Mario Bros. 3. Yoshi brought multilayered gameplay to Mario in Super Mario World. These two things genuinely changed how we play a Mario game. New Super Mario Bros. did nothing of the sort, and is worse off for it.

Again: a fun game, but too easy, and ultimately too unimaginative.

Lessons of Darkness (Lektionen in Finsternis): ★★★★★
Haunting. Herzog shows us a world on fire, an apocalypse, and not only do we watch it burn—we set the fire ourselves.
Available on Netflix Instant, or buy it on Amazon.

Lessons of Darkness (Lektionen in Finsternis): ★★★★★

Haunting. Herzog shows us a world on fire, an apocalypse, and not only do we watch it burn—we set the fire ourselves.

Available on Netflix Instant, or buy it on Amazon.

Panasonic Lumix GF1 Field Test — 16 Days in the Himalayas - A beautifully designed review for what looks like a beautiful camera.

To the Point Reviews

A few months back I posted a round-up of all my Netflix reviews. I did it for the sake of sharing then, and I’m going to share the reviews I’ve done since then now.

I’m calling these “To the Point” reviews because I rarely write over a sentence or two (see the exception for The Fall). I write these little blurbs in the Facebook share box after I rate a movie on Netflix, but both of those services are walled gardens, and I much prefer my information like I prefer my chicken and eggs: free-range and cage-free. So here’s to the beginning of a regularly scheduled program.

Feel free to reblog and discuss!

The Man Who Would Be King (★★★): An entertaining film with a splendid cast and great acting. The tone and rhythm, however, leave the film feeling dramatically shallow.

The Fall (★★★★): The story was underdeveloped—there wasn’t enough emotional content in the Roy character to really make me feel anything for him. The little girl was just adorable and wonderful. Visually, the film was beautiful, but I can’t help thinking… that it seemed too clean (to use an essentially meaningless, abstract descriptive term). That’s the impression it left on me, visually. So it was beautiful, yes, but it also seemed a bit too precise, too controlled. The improvisational nature of the story could have been expressed in a more Gilliam-esque fashion, but I’m already getting into the realm of opinion rather than critique. It was a great film, and I look forward to seeing more of his stuff. {Buy the Blu-ray on Amazon}

Good Night, and Good Luck (★★★★): A well-crafted, robust film from George Clooney and a fantastic cast. Beautiful black-and-white photography casts a hard look on the McCarthy days and the people who had the courage to stand up against his tyranny. {Buy the Blu-ray on Amazon}

Rope (★★★★): Not the strongest Hitchcock film, but exceedingly well-crafted. Composed entirely of a handful of long takes. {Buy the DVD, or, go for the Alfred Hitchcock Masterpiece Collection, which includes “Rope” and 13 (!) other Hitchcock films.}

The Happening (★): I’ve only just seen the first 15 minutes of this movie, and that’s enough. Terrible.

Avatar (★★★★): A fun, mesmerizing blockbuster full of beauty and pleasantly subtle 3D effects. Way better than Titantic. {Buy the Blu-ray/DVD combo on Amazon}

Sita Sings the Blues (★★★★): A charming, funny, and heartfelt animated film about love and loss. What makes it special, though, is that the whole film, drawing, animation, everything, was done by one woman. Thus the film itself serves as a testament to the strength of the human will to endure. {Buy it on Amazon, watch it on YouTube, or download it from the film’s website for free. If you go the free route, be a good fan and make a donation.}

The Odd Couple (★★★★★): Classic from start to finish.

The Man Who Shot Liberty Valence (★★★★★): East meets Bad West. Bad West beats up East. Good West saves East. East wants to bring Bad West to justice. East can’t. Good West saves East again, kills Bad West, loses girl, and dies. New West takes shape with East’s help. The End. Brilliant film. {Buy it on Amazon}

McCabe and Mrs. Miller (★★★★): Atmospheric. The final showdown is well done, but until that point there isn’t much to connect you to the main characters. Beautifully raw cinematography. {Buy it on Amazon}

The Frighteners (★★★): Caught this on television one night. Goofy overall, but very entertaining.

A Hard Day’s Night (★★★): Pure fun and energy and classic music.

It’s a Wonderful Life (★★★★★): Sure, the last third of the film is borderline unbearably sentimental, but how could anyone hate a film with a heart this big? Classic. {Buy the Blu-ray or the beautifully packaged Two-Disc Collector’s Edition on Amazon}

Empire of the Sun (★★★): Beautiful, but doesn’t really get warmed up until the second half. Great story that could have been a better film.

The Big Picture (★★★): A fun film about the ins and outs of breaking into the film industry. Solid.

The Stranger (★★★): Like other Welles efforts: brilliant story, some striking images, but ultimately a flawed product thanks to the studio system Welles so loved to challenge.

Beauty and the Beast [1946, Jean Cocteau] (★★★★★): Simply beautiful. {Buy it on Amazon}

A Few Other Reviews

I thought my review of Cross of Iron was possibly the first I’d submitted to Netflix, but upon further investigation it seems I’ve posted a couple others along with a few notes to friends. For the sake of sharing, here they are.

The Reader (★★): I wanted to enjoy this film, and some aspects of it I did. But on the whole it feels too much like an adaptation—it didn’t feel real. Shot beautifully, acted wonderfully, and the story itself has wonderful ironies, mysteries, and tenderness, but overall it lacks anything as a motion picture that would make me want to see it again.

Au Hasard Balthazar (★★★★★): If I could give this film six stars, I’d want to give it seven. One of the most beautiful, sublime films I’ve ever seen. {Buy it on Amazon}

The Adventures of Baron Munchausen (★★★★): It doesn’t make a whole lot of sense, but it’s a whole lot of fun, and very easy on the eyes. {Buy the Blu-ray on Amazon}

Le Samourai (★★★★★): For what is not shown (or heard) as much as for what is, this film is brilliant. {Buy it on Amazon}

Blast of Silence (★★★★★): This is one of the best noir films I’ve ever seen. Hard-boiled til the shell cracks. {Buy it on Amazon}

Visions of Light (★★★★★): Fantastic interviews with legendary cinematographers about classic and contemporary cameramen and films.

Update 5/24/2010: Tagged this post as “To the Point” and added some links to buy the films.