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Going Up River: Inside Apocolypse Now Blu-ray:
One of the original conversations we began to have when we started looking at doing this work, was using the original transfer in 2001 as a reference – as indicative of the best possible transfer at the time, using that technology, and with a lot of time spent with Vittorio on that original transfer. We also screened – myself, James and Mr. Coppola – the dye-transfer print as well. And we wanted to get back to that in terms of not just aspect ratio, but the contrast and color saturation characteristics of a dye-transfer print in terms of its natural rendition – to be a little bit more, I guess, faithful to that original projection of that dye-transfer print. To get to that point, there was a little bit of negotiation between using both sources as inspiration, I guess is the best way I could put it, between that beautiful dye-transfer print Mr. Coppola had as well as honoring the time and quality of the transfer in ‘01 that obviously had Vittorio’s time put into it. Some scenes tended to carry over very well with regard to the two transfers, and some scenes felt more akin to the dye-transfer print.
Striking difference in color timing for this version. The warm, crimson tones have been modified to appear vivid and dreamlike.
Can’t wait to see this for myself.

Going Up River: Inside Apocolypse Now Blu-ray:

One of the original conversations we began to have when we started looking at doing this work, was using the original transfer in 2001 as a reference – as indicative of the best possible transfer at the time, using that technology, and with a lot of time spent with Vittorio on that original transfer. We also screened – myself, James and Mr. Coppola – the dye-transfer print as well. And we wanted to get back to that in terms of not just aspect ratio, but the contrast and color saturation characteristics of a dye-transfer print in terms of its natural rendition – to be a little bit more, I guess, faithful to that original projection of that dye-transfer print. To get to that point, there was a little bit of negotiation between using both sources as inspiration, I guess is the best way I could put it, between that beautiful dye-transfer print Mr. Coppola had as well as honoring the time and quality of the transfer in ‘01 that obviously had Vittorio’s time put into it. Some scenes tended to carry over very well with regard to the two transfers, and some scenes felt more akin to the dye-transfer print.

Striking difference in color timing for this version. The warm, crimson tones have been modified to appear vivid and dreamlike.

Can’t wait to see this for myself.

(Source: thedigitalbits.smugmug.com)

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A Whole Lotta Nothing: Paramount Studio map of California’s geographical facsimiles
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Credits of old movies vs. credits from Lord of the Rings: Return of the King. We live in a polarized age in cinema: mega-budget blockbusters and miniscule-budget independent productions. This graphic is the perfect representation of why that’s the case. (via NYTimes.com)

Credits of old movies vs. credits from Lord of the Rings: Return of the King. We live in a polarized age in cinema: mega-budget blockbusters and miniscule-budget independent productions. This graphic is the perfect representation of why that’s the case. (via NYTimes.com)

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The Hurt Locker - ★★★★★
Saw this tonight at the Landmark. If you live in Atlanta and you haven’t seen this film, see it while it’s playing on the big screen. If that doesn’t pan out, see it on DVD/Blu-ray. It’s just brilliant. My roommate and I didn’t have much to say about it besides, “That was a great movie.” Kathryn Bigelow completely deserves the accolades.

The Hurt Locker - ★★★★★

Saw this tonight at the Landmark. If you live in Atlanta and you haven’t seen this film, see it while it’s playing on the big screen. If that doesn’t pan out, see it on DVD/Blu-ray. It’s just brilliant. My roommate and I didn’t have much to say about it besides, “That was a great movie.” Kathryn Bigelow completely deserves the accolades.

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"It was on the sound mixing stage when we were expecting a wire transfer that they called to say they needed more time to think about it. The mixer was literally looking at us, saying “are we starting?” and we said “We need the money NOW.” It turns out they were showing the completed cut on video to one of the investor’s 12 year old son. He turned to his dad and said “This is better than ‘American Pie’.” And that was it, they wired the money. Literally my career, my whole life’s work, was in the hands of a 12 year old. And thankfully, he loved it."

The Aughts (and The Aught-Not- Haves) | Mediaite - I’m not a fan of Eli Roth’s movies, and until this article I wasn’t really a fan of him either. But I can’t help but have some respect for the guy after reading this article (written by him) about breaking into the film industry.

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"Synecdoche, New York” is the best film of the decade. It intends no less than to evoke the strategies we use to live our lives. After beginning my first viewing in confusion, I began to glimpse its purpose and by the end was eager to see it again, then once again, and I am not finished. Charlie Kaufman understands how I live my life, and I suppose his own, and I suspect most of us. Faced with the bewildering demands of time, space, emotion, morality, lust, greed, hope, dreams, dreads and faiths, we build compartments in our minds. It is a way of seeming sane."

The best films of the decade - Roger Ebert’s Journal - A great list of great films.

I still have not seen Synecdoche, New York, unfortunately. For me, it’s Kaufman’s honesty, his frankness in his work that makes it so powerful and meaningful and admirable. In a time when we are inundated with artifice and illusion, here’s a guy who writes movies about real people and creatively presents those people and their problems to us with alarming immediacy and insight.

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The end titles: Warner Bros. | The Movie title stills collection - Huge collection of Warner Bros. end title cards. The website is beautiful as well. The selection you see is from one of cinema’s greatest visual poets, John Ford, Cheyenne Autumn.
Via Ministry of Type, always sharp.

The end titles: Warner Bros. | The Movie title stills collection - Huge collection of Warner Bros. end title cards. The website is beautiful as well. The selection you see is from one of cinema’s greatest visual poets, John Ford, Cheyenne Autumn.

Via Ministry of Type, always sharp.

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The Dark Knight (via Brandon Schaefer) - And many more. The whole set is fantastic.

The Dark Knight (via Brandon Schaefer) - And many more. The whole set is fantastic.

Tags: movies posters
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"When you visit google.com/movies, you’ll discover a new, more comprehensive resource with all the information you need to decide what movie to see and where to see it"

Official Google Blog: Google’s movie showtimes, digitally remastered : Google added a few more cool points to their search results today.

Tags: film movies