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The Avatar and the iPad:
Early in the planning stages for the Vishnu exhibition, Joan, Shelley, and I began talking about building a tool that could offer an engaging entry point to Vishnu’s many avatars. Each avatar has individual traits and a wonderfully complex set of narratives, but teasing out the distinctions between them can be tricky if you’re new to Sanskrit names and Hindu traditions. The result is a series of iPad kiosks that offer a kind of supplementary path through the show.
Awesome use of the iPad.

The Avatar and the iPad:

Early in the planning stages for the Vishnu exhibition, Joan, Shelley, and I began talking about building a tool that could offer an engaging entry point to Vishnu’s many avatars. Each avatar has individual traits and a wonderfully complex set of narratives, but teasing out the distinctions between them can be tricky if you’re new to Sanskrit names and Hindu traditions. The result is a series of iPad kiosks that offer a kind of supplementary path through the show.

Awesome use of the iPad.

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Magnificent Obsession | Classic | Vanity Fair: A must-read for Orson Welles fans.

Magnificent Obsession | Classic | Vanity Fair: A must-read for Orson Welles fans.

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Polaroid Archives Provide Snapshot of History | Gadget Lab | Wired.com:
“For anyone interested in science, technology, art or consumer culture, this is an unprecedented opportunity to look at a series of products and watch their design unfold from every aspect,” says Deborah Douglas, curator of the collection at the MIT Museum.  Polaroid is unusual among American companies in that it has extensively documented its products and maintained archives of its work, says Douglas.  “This is one of the top five company collections out there, along with IBM, Bell Labs, DuPont and Boeing,” she says.
I’d love to see these archives someday.

Polaroid Archives Provide Snapshot of History | Gadget Lab | Wired.com:

“For anyone interested in science, technology, art or consumer culture, this is an unprecedented opportunity to look at a series of products and watch their design unfold from every aspect,” says Deborah Douglas, curator of the collection at the MIT Museum. Polaroid is unusual among American companies in that it has extensively documented its products and maintained archives of its work, says Douglas. “This is one of the top five company collections out there, along with IBM, Bell Labs, DuPont and Boeing,” she says.

I’d love to see these archives someday.

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The cumulative result is a version of “Metropolis” whose tone and focus have been changed. “It’s no longer a science-fiction film,” said Martin Koerber, a German film archivist and historian who supervised the latest restoration and the earlier one in 2001. “The balance of the story has been given back. It’s now a film that encompasses many genres, an epic about conflicts that are ages old. The science-fiction disguise is now very, very thin.”
The Full ‘Metropolis’ - NYTimes.com - Metropolis in its known form has served as the inspiration for countless films and works of art. That a near-complete version of it has been located and restored is an incredible historical discovery—and as the article makes clear, something of a miracle.
I can’t wait to see this on Blu-ray.
The cumulative result is a version of “Metropolis” whose tone and focus have been changed. “It’s no longer a science-fiction film,” said Martin Koerber, a German film archivist and historian who supervised the latest restoration and the earlier one in 2001. “The balance of the story has been given back. It’s now a film that encompasses many genres, an epic about conflicts that are ages old. The science-fiction disguise is now very, very thin.”

The Full ‘Metropolis’ - NYTimes.com - Metropolis in its known form has served as the inspiration for countless films and works of art. That a near-complete version of it has been located and restored is an incredible historical discovery—and as the article makes clear, something of a miracle.

I can’t wait to see this on Blu-ray.

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"The deckle edge dates back to a time when you used to need a knife to read a book. Those rough edges simulate the look of pages that have been sliced open by the reader. The printing happened on large sheets of paper which were then folded into rectangles the size of the finished pages and bound. The reader then sliced open the folds."

The Millions: Deckle Edge in the Age of Mechanical Reproduction - Interesting.

Tags: books history
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"There are many ways to look at the past: as a list of important dates, a conveyor belt of kings and queens, a series of rising and falling empires, or a narrative of political, philosophical or technological progress. This book looks at history in another way entirely: as a series of transformations caused, enabled or influenced by food."

An Edible History of Humanity « tomstandage.com - Wishlisted.

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stone: Leonardo da Vinci’s Resume - Item 11:
11.	I can carry out sculpture in marble, bronze, or clay, and also I can do in painting whatever may be done, as well as any other, be he who he may.
Via Kottke.

stone: Leonardo da Vinci’s Resume - Item 11:

11. I can carry out sculpture in marble, bronze, or clay, and also I can do in painting whatever may be done, as well as any other, be he who he may.

Via Kottke.

Link

“A History of the World in 100 Objects.”

I only wish it were available in a more open, archivable format.

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"The World Factbook provides information on the history, people, government, economy, geography, communications, transportation, military, and transnational issues for 266 world entities."

CIA - The World Factbook - Like Wikipedia, but official.

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A 19th-Century Mathematician Finally Proves Himself : NPR
This engine — made from 162-year-old designs — doesn’t have a power pack; it has a hand crank. Robinson works up a sweat as he turns it. “As long as you keep turning that crank, it will produce entirely new results,” he says. Most importantly, the machine produces accurate results.
You’ve got to watch the video. Incredible feat of engineering and sheer genius.
Update 12/20/2010: I just had to add this in.

A 19th-Century Mathematician Finally Proves Himself : NPR

This engine — made from 162-year-old designs — doesn’t have a power pack; it has a hand crank. Robinson works up a sweat as he turns it. “As long as you keep turning that crank, it will produce entirely new results,” he says. Most importantly, the machine produces accurate results.

You’ve got to watch the video. Incredible feat of engineering and sheer genius.

Update 12/20/2010: I just had to add this in.

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mrgan:

Crayola Color Chart, 1903-2010
Weather Sealed made this awesome visualization of Crayola’s colors throughout the 20th century. My inner Tufte approves.

mrgan:

Crayola Color Chart, 1903-2010

Weather Sealed made this awesome visualization of Crayola’s colors throughout the 20th century. My inner Tufte approves.

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’Twas the Icon of Christmas — AIGA | the professional association for design - I didn’t realize Santa Claus, as we think of him, was such a recent invention, historically speaking. I realize this is a little late, with Christmas having been almost a month ago and all, but this was too interesting and enlightening to pass up.

’Twas the Icon of Christmas — AIGA | the professional association for design - I didn’t realize Santa Claus, as we think of him, was such a recent invention, historically speaking. I realize this is a little late, with Christmas having been almost a month ago and all, but this was too interesting and enlightening to pass up.

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"As we assess our linguistic future as a species, a basic question remains. Would it be inherently evil if there were not 6,000 spoken languages but one? We must consider the question in its pure, logical essence, apart from particular associations with English and its history. Notice, for example, how the discomfort with the prospect in itself eases when you imagine the world’s language being, say, Eyak."

World Affairs Journal - The Cosmopolitan Tongue: The Universality of English - A thoughtful essay on the supposed death of culture that naturally follows the death of a language. I agree with McWhorter that the death of a language does not necessarily result in the death of the culture that spoke it. As he points out, who would argue that Native Americans or black Americans don’t have their own culture?

That said, his argument becomes dangerously thin in at least one place. On the value of language as a means of communication:

The main loss when a language dies is not cultural but aesthetic. The click sounds in certain African languages are magnificent to hear. In many Amazonian languages, when you say something you have to specify, with a suffix, where you got the information. The Ket language of Siberia is so awesomely irregular as to seem a work of art. But let’s remember that this aesthetic delight is mainly savored by the outside observer, often a professional savorer like myself. … The question is whether there is some urgent benefit to humanity from the fact that some people speak click languages, while others speak Ket or thousands of others, instead of everyone speaking in a universal tongue.

Before I can respond to this, I need to tell a story.

Once when I was in middle school, an African mathematician whose name I have long forgotten visited my class to talk about education, mathematics, and Africa. His visit was arranged to inspire the black kids in my school to rise above their means, follow their dreams, and seek a better life. My school was around 90% black. Most of them were very poor, and had been for generations, so this man’s visit was meant to show them what a black man could do, to demonstrate that the world was bigger than their backyard, their town, their county, their state, even their country, and most especially, bigger than both the prejudices they held and that are held against them. I don’t know who arranged the man’s visit, but at some point, to this effect, he had to be asked, “Can you give them an idea of how big the world really is?”

During the course of his lecture, I asked him a question that made him stop what he was doing and go quiet in thought. I asked, “When you’re doing math, what language is it in?” He thought for a while on it, and after a long pause, he responded (not verbatim, but this is how I remember it): “That is a good question that I do not know exactly how to answer. But let me explain it this way. Math is itself a language. It is universal. Music is also a universal language. Anyone trained to read them can understand them. I was taught mathematics in English, and in fact I learned English by learning mathematics. But in my country, there are words which have no correlation here. When I think of counting, or describing how big something is, or trying to say how far away a place is, I must always translate from my native tongue because, to me, *that* is how many, or big, or far it is, not the precise mathematical measurement.”

I have never forgotten his response. It was the first time in my life I remember meeting someone and thinking, “He doesn’t think the way I do! He doesn’t think in English!”

McWhorter’s argument assumes that language and information are mutually exclusive. Language is humanity’s response to the need of conveying information, so, logically speaking, there is information, and then there is language. But once we have language, we have a way to communicate feelings, states of being, ideas. With language we can say, “I’m worried about my friend,” or, “I think that guy’s a liar with a nice smile,” or, “I love how your hair catches the horizon in its arms.”

A language is as much a network of relationships as a culture is. With the loss of a language, we aren’t losing a way to convey information, but a way of expressing it. That is the reason for melancholy when a language dies.

From a practical, strictly logical perspective, yes, fewer languages means easier communication, less informational friction. But what of the aesthetic, the expressive value of language? Is that really as meaningless as McWhorter portrays it, or is there a deeper meaning, a value so rich that science could never discover it? I tend to think the latter.

Now, where did I last leave off on my French lesson…

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[From St. Hanshaugen, Hammerfest, Norway] (LOC) (via The Library of Congress on Flickr)
What’s a photochrom? Published primarily from the 1890s to 1910s, these prints were created by the Photoglob Company in Zürich, Switzerland, and the Detroit Publishing Company in Michigan. The richly colored images look like photographs but are actually ink-based photolithographs, usually 6.5 x 9 inches.
I love the washed-out, bronze look of these. Check out the whole set.

[From St. Hanshaugen, Hammerfest, Norway] (LOC) (via The Library of Congress on Flickr)

What’s a photochrom?
Published primarily from the 1890s to 1910s, these prints were created by the Photoglob Company in Zürich, Switzerland, and the Detroit Publishing Company in Michigan. The richly colored images look like photographs but are actually ink-based photolithographs, usually 6.5 x 9 inches.

I love the washed-out, bronze look of these. Check out the whole set.