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Creative Review - The Helvetica killer:
PB: Do you always need those idiosyncracies in typefaces?BM: You do, otherwise what’s the point? Why use this or that? When people choose a typeface it’s not a rational decision, it’s completely emotional. They home in on details and say ‘I love that, that’s why I’m going to use it’. But then they want a rational explanation to tell their client.
I like Aktiv, but to my eyes it looks like a quirky mix between Helvetica and Univers. As Maag admits, Helvetica was successful because it’s neutral—it has no soul, hence it’s universal utility.

Creative Review - The Helvetica killer:

PB: Do you always need those idiosyncracies in typefaces?

BM: You do, otherwise what’s the point? Why use this or that? When people choose a typeface it’s not a rational decision, it’s completely emotional. They home in on details and say ‘I love that, that’s why I’m going to use it’. But then they want a rational explanation to tell their client.

I like Aktiv, but to my eyes it looks like a quirky mix between Helvetica and Univers. As Maag admits, Helvetica was successful because it’s neutral—it has no soul, hence it’s universal utility.

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"What a delightful holiday treat! Today, four more Adobe typefaces have been added to Typekit’s library: Carol Twombly’s Adobe Caslon Pro, and Robert Slimbach’s Adobe Jenson Pro, Arno Pro, and Warnock Pro are traditionally-inspired, serifed designs that have each been updated to work well on the web."

More classic Adobe fonts on Typekit « The Typekit Blog: Effective immediately, I have switched the text here from the wonderful Adobe Text Pro to the amazing Arno Pro. Subtle differences, but I love the handcut feel of Arno.

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Adobe and Typekit are teaming up to bring some of the world’s most popular, recognizable, and respected fonts to the web. Starting today, you’ll be able to use classics like Adobe Garamond, News Gothic, Myriad, and Minion plus many more on your website — all of them newly optimized and hinted for the screen. These fonts look fantastic.

Thrilling. Congratulations to Typekit and Adobe for this awesome partnership.

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Revised Font Stack | A Way Back - A thorough assessment of font stacks around the web with suggestions for improvement. Fantastic article. Beautiful website, too.

Revised Font Stack | A Way Back - A thorough assessment of font stacks around the web with suggestions for improvement. Fantastic article. Beautiful website, too.

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The only problem with these new Vista typefaces is that they’re only distributed with Vista. So, I have two simple requests:

  1. Microsoft, please distribute these new Vista typefaces for older versions of Windows, especially XP. Perhaps include them with the release of Internet Explorer 7 and future Office updates?
  2. Apple, please license this set of fonts from Microsoft and include them with Mac OS X.
Making good on these two simple requests would go an incredibly long way towards improving the state of typography on the web — and should cost each company next to nothing."

JeffCroft.com: An open letter to Apple and Microsoft - This letter is three and a half years old now, but it’s never too late to stop hoping Microsoft and Apple will arrange an agreement to provide Microsoft’s ClearType Font Collection to OS X users for free (similar to the Core fonts for the Web).