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Synecdoche, New York” is the best film of the decade. It intends no less than to evoke the strategies we use to live our lives. After beginning my first viewing in confusion, I began to glimpse its purpose and by the end was eager to see it again, then once again, and I am not finished. Charlie Kaufman understands how I live my life, and I suppose his own, and I suspect most of us. Faced with the bewildering demands of time, space, emotion, morality, lust, greed, hope, dreams, dreads and faiths, we build compartments in our minds. It is a way of seeming sane.

The best films of the decade - Roger Ebert’s Journal - A great list of great films.

I still have not seen Synecdoche, New York, unfortunately. For me, it’s Kaufman’s honesty, his frankness in his work that makes it so powerful and meaningful and admirable. In a time when we are inundated with artifice and illusion, here’s a guy who writes movies about real people and creatively presents those people and their problems to us with alarming immediacy and insight.

My books are a subject of much discussion. They pour from shelves onto tables, chairs and the floor, and Chaz observes that I haven’t read many of them and I never will. You just never know. One day I may — need is the word I use — to read Finnegans Wake, the Icelandic sagas, Churchill’s history of the Second World War, the complete Tintin in French, 47 novels by Simenon, and By Love Possessed.
Roger Ebert’s Journal: Archives : The man sounds like the most interesting packrat you’ll ever meet. I hope I see him in good health one day.